Thursday, November 19, 2015

Untitled (Observations in D# - Scales and Movements in Lizard City -- Furthermore... Why I Don't Think a Title Works for this Piece)

“Is this it, god?” he asked                       No answer         that's answer enough
Picking a cigarette from behind his ear looking down Teflon street
Earlier he said “I think I’ll stick around”                 But since then he’d slipped into doubt
Littering the pavement with cigarette stubs                       and regret
Euthanizing new born ideas to save them from a world
Of incredible      mad      men      and       flaccid               stagnant            sages
Who would molest the shivering children of missionaries
As they clung to the eaves of a shell shocked city            Fishing for meals of lungs and kidneys from kitchens                    Along Rat boulevard       from inside the chimneys of sewers                     or when offered  In the music boxes of awkward strangers
With skin disorders and heart pump attendants

The music of his own childhood lay drunk in the gutter      He only stopped to listen once
By the record store which had been boarded up and          seamed, deaf, unintelligent
The dead friend who busked on this corner had asked       If he would play violin at the funeral                                  He had promised but forgotten
Things didn’t seem to be worth remembering anymore
Perhaps he’d keep an eye fixed firmly on the needle in his arm
And learn to ask the right questions                     “Careful they might be listening”
“Who said that?”                                    “I did”
He put a hand to his temples and felt the unease
Of seven days on the road          And eating leftovers out of bowls fashioned from dead wood           The road left him standing on a strangely familiar corner
It continued, nonetheless, its journey towards the abortion clinic
Where babies were borne everyday          And interns would lose their lunches and minds
Vomiting in the alley behind the primary school

On his corner the old conjurer gestured with a pleading smile         Inviting him into a smouldering bath house for the evening matinee             Instead
He scowled and skewered the lock into his house politely ignoring the old man
And sat practising politics with his inanimate imagination
Picking at the last cigarette behind his awe-full ear           Tracing the puncture marks
Between his wrist and elbow along make-believe cuts       Wrapping the entrails of the day around a crucifix He had stolen from an anonymous bus seat somewhere between
Consciousness and a faraway destination

The telephone jabbed his ear knocking a cigarette off        .She was on the other side screaming at him       “How could you see something happen and do nothing!”
As he reached to where the cigarette had rolled under the tea coloured coffee table
He could only presume the suicidal girl had died and there was no use in this conversation
He lit the cigarette and looked out his window
Cold with a fever and malcontent
Pissing into a bottle beside his bed he fell over     deadened          by         having to wake up the next day and do it all over again


Tuesday, November 10, 2015

Fail Safe Flower Mill Pancakes part I an II (well almost two)

I

The morning after. The silence between us is obsidian. Semi-precious. A quirk of violence. It passes between our equally possessive natures, not let go of very easily. Stoic. Stone faced. I want to rally pick up the mantle of the night before, but she is molting; Cacooned in an arrangement of record sleeves cross legged and naked, and truthful under her clothes. In this guise. She said years ago before we shared a bed, that words are atomic. That present future and past participles are the building blocks of our universe. When she said ours I thought she meant us. I heard nothing else. Now she is talking on the phone, to someone else, saying how she doesn't want to be here, but she is, so it doesn't matter what she wants, and it hurts and I take it... We both said many things and didn't, last night. The fault lines won't mend too soon, but I don't think I deserve...

Have you ever lost your personhood to someone? How could I not to her? She encapsulates the id of every single astral projection I ever broadcast. The hapless summons to connect in the most personal way that comes with inspiration, that spouts from the music and literature. It is not outward that we look, I fancied, we look into the universe. Hopefully. And when there is someone to fill the gaze of your spy glass it is not so lonely. Yes the sensation is there at most times, fleeting an infuriating. But what I have with her is slow and burning. Elemental. Wrought from the irony. It is unsustainable, but we endeavor. The ground, itself, is fruitless but who would demystify moon dust, capitulate to sense, even reason. Some would, I must concede, but I didn't. You see I was incapable. She obstructed life and splayed my spectrum out in front of me. She first did this in a bookstore. Whereas I shopped by authors, she'd look through genres, starting the books at their last chapters because, according to her, there would be no point to starting them if she'd dislike their endings. I was mortified. What made me give my heart to her was that she knew it was flawed but nonetheless it was her way. She admitted to the unparalleled ecstasy she found when the she did find a book she could finish, that brought her back to the beginning, that fulfilled it's promise. It is a whole body sensation that goes beyond sensory. I've seen glimmers of it. I've heard it over the phone numerous times. I've been jealous of it.

She is yet to pick a song. Ours is a simultaneous occurrence of history and the present making of, if you look too closely at the details. The day she chose to stay in my life was ominous and ghostly. She walked into my semi-detached, out from a phantom deluge. I woke from a sleep three weeks in the making, to her knock at the door. She was standing there soaked through, without a cloud in the sky to support her state. Not even a hint of a rain in the air. Everything seemed to deny her right to be that way. The sun. The smatter of neighbors in halter tops, under dry weather umbrellas. It was bizarre. She pushed passed me barefoot, her hush puppy half boots (man size 8) left at the door. Her feet padding across the hard wood floor, I followed till I couldn't. She was undressing as she went and my manners sought to preserve her modesty. I went to the kitchen made the tea I keep for her, wherever I live. I came back to find her standing on the window seat looking out, dressed in a housecoat. I set the tea on the coffee table and set about gathering her wet things. When I returned full of questions but mindful of impropriety and disingenuous motives I sat quietly. She had moved the tea to the floor. Teaspoon, saucer, and cup next to one another. Apart. Her travel bag was open and from it she had pulled magazines and some were arranged in a circle, about her. We never spoke about what happened that day. She stayed.

I always wonder about that day, what brought it about, what brought her; when I'm well within reason. When my higher functions are fresh war paint [...]. When she tastes the food and finds a grain of salt missing. When my compulsion to be right is petrified by our violent eruptions. When it feels like these limbs were meant to stoke the fire. After all; I am all too aware of our differences. I am a man of letters and by in turn one of law. My greatest existential crisis is one of causality; if words form letters, and letters form words... The irritation makes me want to minimize chance. She on the other hand is a fan of the Great Moving Pictures. She can sit in front of them for hours. Working her way from the temporal lobe to just exaltation. She is alone in this place. When all about her in the gallery turn them into talkies, disassembling then with words. Shredding them to confetti, scaling them till they can appropriately fit into words. She works through them and let's them work through her. Her incredible silence a relic of the golden age. She sits through it. Still. It's so personal, I can't be with her there or then. After all I do most of the talking.

I am not worried about last night. Or that this happens more often than not. Are we fooling ourselves? I wouldn't like to think so. I am well aware that a day will come when she leaves me. I am resigned to this. I died that day of omens and ordinary magic. An ignoble yet Happy death. Inconsequential in the greater scheme of things but fulfilling in many ways. The pull toward her had reached it's tan co-efficient. My orbit was close and safe enough to hold her hand. I am standing hand in hand with her and a missilery of telescopes across the heavens see us together. And I am fortunate in that way. Matter ceases to matter. With a mutual stare we face off against the great without. Every kiss, touch is a futile and elaborate death blow delivered against the void. Obstinate. We are the firmament. And we till new soil over and over again. In stasis and in full flight. ...

And she is out of her process and I'm decorating her plate with petals from the hanging garden that was a dark room until she decided it wasn't anymore.

And I got the pancakes just right.

And she is at table. And again she tries to tell me what about Cedric Nunn's picture of the boys on the rock and the other two swimming, makes her sit in that way for hours.

She attempts to find the words staring at her plaits in the mirror she fixed above where she sits in the kitchenette. Her cup and saucer and teaspoon separated.

"Yesterday was stupid" she says. I say nothing and pass her the cream when I so desperately want to say "I know". But I don't.

Of course when she leaves me this place will be haunted. And I will be troubled living here and with myself. But such thoughts are unnecessary right now. She thanks me for the pancakes and kisses me graciously on the temple. She is generous of spirit and I am mean and impractical. She walks out the door... I sweep up the caster sugar and petals from around where she was sitting. I empty the pan with its sugar dust and flower bits out front into two side by side home made potting plants. A pair of hush puppy half boots (man size 8)




II



I started my working life as a plant ambushing people. I hate it when we aim our gums at each other. So I maneuver all night long and let him spend his cartridges and wait until the morning then I break his jaw with silence.

Scene one: you've seen them all. They come and go. the effluent. Cast off. Dress the front of the house with lacquer. Impenetrable. The Crackling I keep as a just in case sustains me.

It's as if... I was always in his view finder. A cubists sucubus. Subsumed by curved glass. Tempered glass. No sound escapes from the void of a still photograph. This is what moves me.

Imagine a thousand conversations all going on simultaneously countering and canceling each other out. And the release of distillation. Why pick cotton when you can pick pockets. Moments are irretrievable preserves.

I am incoherent with words. You don't get me? Good. The maddening crowd be damned. I have a whole gallery of life times to pin my many emotions and my open palm gestures. Cupped hands draw sorcerers and once I knew a man who got plastered and got an axe to his head and an unkind word from a night nurse. If I could've framed him I would. His lover lay at his feet with her liver cut out. I took a shower in the clothes I was dressed in and put the pair of boots size 8 that he only wore to special occasions and walked till forever became burdensome to my feet and I landed outside this semi detached and my thumbs in the cups of my hands .

Tears like torn denim. I'm worn out. I'm staring at the mirror I stuck above the spot where I first took him in the kitchen. On the back of it in child proof crayon I have written a promise. I hope it never falls.

It takes a special eye to look past the nostalgia. To see that the constellations are not fixed. I am his fixation. His magnetic north. I give his complex complexion. And words spill from him. Because it's Argh...
What's the use -- words are his thing... Murder is mine

A Sowetan Blessing

Mfana was getting a tire fitted when he mistookenly remembered an Irish blessing ___

Mfana hadn't been to Ireland__ or had the occasion to refer to it in any meaningful way
except
that he had read it from a newspaper that had wrapped his fish and chips that one day___

 Somebody says in spitting distance: "ja iyakufanela mfana"___
 Someone else was shouting for petrol___

 Back then He had memorized the blessing, to practice his english, but for the life of him he couldn't remember any lines except maybe_
"May the road rise up to meet you" _ 

He starts to laugh. First to himself. Then with no sense of propriety; out loud ___

The people around him don't find it at all curious. It's stoking them. Adding fuel to the fire ___ People test tire pressure by kicking the tire___

The pain that went through Mfana's neck is a dull one compared to the hopelessness he felt ___


"Kaba leyo nja" ___

He remembers the Irish blessing was used in an advertisement for Continental Tires
He will never get to own a car ___

 He is being hit from all sides and he falls face first into the dirt road _

"May the wind be at your back" _ 
He remembers that. 
Which makes him laugh some more ___

And the heavens start to wet themselves laughing along with him _
"May the rain fall softly on your fields"_ 

 A clerk of the kangaroo court curses the sudden drizzle that makes it hard going to strike a match ___
Besides that; the beating continues ___
Mfana's crime? He reported a comrade to the police ___
He's an impimpi __
He must die _

Mfana reads the name of his tyre like a question ___
"Goodyear?" __

No it was not. His sister spurned the advances of the comrade
And got herself raped for her troubles _
he reported the comrade to the police _
 He tried to explain but the struggle gave him no recourse ___

 Finally a flame catches ___
And Mfana is set alight
It's a dazzling necklace one the witnesses will not soon forget __

He never got to remember the final line which goes: _

 "And May god keep you safe in the palm of his hand"

Dirge for a Moletsane Boxer


A crucifix of chrysanthemum
You lay upon 
Garlands of common words 
Spilled from your open mouth
Apocryphal anthems for Golgotha 

From space you would look like a giant T
Dressed in loose fitting coveralls
And it was autumn
The sky would blacken eating crow
And we wouldn't see your murder coming

She said you couldn't put a boxing ring
On her finger
And you duly obliged by buying a boxed ring
And hanging up your gloves
The boys would takes jabs at you with jibes
Talking about how she had boxed you in

You cast a shadow over the neighborhood
A champion in waiting and we ate in your shadow
I would try and get you to teach me boxing 
But you would Shoosh me
Well I would practice when you weren't watching

All the news was about how you'd gone ten and ‘O’
How you were an artist leaving men lifeless impressionists
On the canvas
How you had no equal in the arena
How your jaw could break a hammer 

We would meet under the only shade in the park
After you would see her off to work
You would mouth out all the English words I could muster
You would bring newspapers and magazines and learn by ear
I would want you to tell me how to fight and you wouldn't 

I was proud of our bond
And what did that pride get me? 
A bleeding nose and sore lip
When I ran to tell you and got to your street
A woman stopped me and hid me behind her slip

You were lying in the street with your arms wide 
Like they were welcoming the sky
Eyes open but vacant
As hollow as your open mouth
They killed you the street was saying

The sun was beating down mercilessly 
Your shadow had shrunken to just beneath your body
In broad daylight they kept saying
And your woman arrived with the band on her finger
And the instrumental mourners behind her

She was betrothed bereaved and bewildered
She was tearing at her clothes and beating your chest
I was still in the clutch of that woman; from whom I couldn't quite slip
I wanted to run to you because 
By knowing the words I knew the spell that would wake you

When you would fall asleep 
In that same way
Your arms thrown outward like a scarecrow
There was a song you loved whose words you didn't quite know 
That would rouse you I knew this
Then
As truly I knew you weren't all counted out

I never got to getting to your side 
I've since forgotten the the song
But I am all grown up and know you are dead for sure
I never stopped hitting athe books like you said
And I even turned to writing

And just so you know

I haven't lost a fight to a verse yet I'm at 10 and O

The Flour Windmills Make

The Flour Windmills Make

I've often caught myself staring at windmills 
Thinking 
Every breath is but scattered millet

We take turns turning turbines 
Catching and releasing spirit
In the flesh 

I've had the wind knocked out of me
By flighty books heavier than air
Collections of pages torn out of tornadoes
And at times I have been able
To hurriCane to the inevitable conclusion and ultimately inAbel mine

The touch is feather light 
And packs a punch
The kindness of which is windswept

Invisible brush strokes winched by wings upwards and away
The flux and flotsam 
Falls for us all
I have the great fortune of drawing breadth in this dimension 
And in this parallel 
I have heard that wind is caused
By the stampede of ethereal horses 
And their charges
The ruts of the course
Are air pockets
That lay untilled 
Until the windmill 

Turns

Hand Psalm

(For two voices)

Time is a cruel and fickle seamstress, it seemingly stresses the seams and
Dabs a wet eye with scar tissue...

I can see why no one felt they had to read my palm
I'm sure my need for a helping hand was written all over my face
A frozen expression
Meaning I hadn't the means 
to get a grip on my emotions...

It's treacherous under foot
Time heels all wounds 
The sole purpose 
To toe the line...

I have lost the use of my extremities 
My borderline personality
Sought and found asylum 
And took me along with it
Naturally 
thinking took to the nesting habits of cuckoo birds
Brood parasites
With one lob of the temporal lobe
thoughts turned to others 
Hatching all over the place
Gathering them stretched my arms too far
And phantoms grew from my shoulders

The few other worldly possessions I had 
drew
first 
blood
Carving horizons on my wrists
Just such that if I were to cup my hands to herald the iambic parallel between moon and sun I'd be able to trace the curvature of the earth 
With a humourless humerus and post humus posture that can go on forever

Time is relative
The father it gets from you
Is farther from yourself 
Far fetched but fetched nonetheless 
Pull yourself together they say
As if
It doesn't Push each of your cardinal points farther and further away
Till all you can do is put your best face forward
Talk with your hands
And make footholds

The neurosis is whole body
And the plough turns on the field
And you reap what you sow

When crying my hand and I's
Co-ordination is crucial 
And hiding that feeling 
makes an impression
But time...
Time is a cruel and fickle seamstress